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From the spread of spontaneous local monuments right after the war to the construction of huge ossuaries during the Fascist Regime […]This article addresses the commemorative practices in Flanders from World War I through World War II.Flemish and Belgian nationalist concerns affected the implementation of postwar national cemeteries.It is only after the discussions that started in the mid-1990s regarding the participation of the Wehrmacht in war crimes that […]The German soldiers who fell during the Second World War were buried in large cemetery complexes throughout Europe.Construction and design guidelines drawn up by the Wehrmacht itself put national socialist ideology into a concrete form […]The domain of commemorative architecture represented a novel task to architect Dušan Jurkovič (1868-1947) formerly renowned for his emphatic style synthesizing vernacular architecture and Art Nouveau.[…]By looking at German art historian Ludwig Grote’s efforts for internationalization, which can be traced back through his active involvement with art in and from Brazil, this article sheds light on the problematic relationship between established narratives of Modernism and the diverse archival layers of information accessible today.[…]The article analyzes the loss of interest in the study of human anatomy through dissection of cadavers that characterizes the Baroque period, and that distinguishes the Baroque from the Renaissance and from Neoclassicism.

This article aims to investigate the possible terms and conditions that Mark Rothko imposes on the encounter between painting and viewer, especially concerning the paintings he made for the Houston Chapel, also called the Rothko Chapel, in 1965-67.

[…]Opened in 2013, the Federal Military Memorial Cemetery near Moscow is Russia’s new national cemetery.

If there ever was a place where you come face to face with history on every corner, it is Rome.

[…]In 1936, the National Socialist government of the province of Upper Silesia commissioned the Volksbund Deutsche Kriegsgräberfürsorge (German War Graves Commission) to build a memorial to the German Freikorps fighters.

The building, completed in 1938, was located on the Annaberg in Upper Silesia […].

This article aims to investigate the possible terms and conditions that Mark Rothko imposes on the encounter between painting and viewer, especially concerning the paintings he made for the Houston Chapel, also called the Rothko Chapel, in 1965-67.

[…]Opened in 2013, the Federal Military Memorial Cemetery near Moscow is Russia’s new national cemetery.

If there ever was a place where you come face to face with history on every corner, it is Rome.

[…]In 1936, the National Socialist government of the province of Upper Silesia commissioned the Volksbund Deutsche Kriegsgräberfürsorge (German War Graves Commission) to build a memorial to the German Freikorps fighters.

The building, completed in 1938, was located on the Annaberg in Upper Silesia […].

[…]Placing soldiers within the narrative of Christ’s Way of the Cross serves a political-ideological agenda as well as a psychological need of local populations.